Books
Journal articles and chapters
Co-authored with Ken Fox – ‘Ensemble and Otherness: The Jazz Musician in Robert Altman’s Kansas City (1996)’, Savoirs en Prisme, No. 16, Fall (2022).
Co-authored with Chiu Kuei-fen: ‘Beyond Beauty: Taiwan from Above’, In Yeh, E.Y.Y., Davis, D. and Lin, W. eds. (2022) Thirty-two New Takes on Taiwan Cinema. Ann Arbor, MI: University of Michigan Press, pp. 370-384.
‘Jack Ellitt as Director: Documentary Films of the 1940s’, Journal of British Cinema and Television, Vol. 18 Issue 3 (2021), pp.329-359.
Start Here: Sounding the Materiality of the Compact Audio Cassette’, Resonance: The Journal of Sound and Culture, Vol. 2 Issue 2 (2021), pp.192-217.
‘Material Resistance: Towards a Politics of Listening’, Echo, Issue 1 (2020).
Co-authored with Chiu Kuei-fen: ‘Le Moulin: Audiovisual non-synchonization and the making of a historical documentary’, In Picowicz, P. G. and Zhang, Y. eds. (2020) Locating Taiwan in the Twenty-First Century. Amherst, NY: Cambria Press, pp. 153-171.
Co-authored with Gebhard Sengmüller: ‘Big Paul: The Death of Video and the Return of the Repressed’, In Lissel, E., Jutz, G. and Jukić, N. eds. (2019) Reset the Apparatus! The Persistence of the Photographic and the Cinematic in Contemporary Art. Berlin and Boston: De Gruyter, pp. 91-104.
‘Noise, Agency, and the Sound of Obsolete Technology’, FKW//Zeitschrift für Geschlechterforschung und visuelle Kultur, Nr. 61 Dated Formats Now! (2017), pp. 42-53.
‘Meaning and Musicality: Sound-Image Relations in the Films of John Smith’, In Rogers, H. and Barham, J. eds. (2017) Sound and Music of Experimental Film. Oxford: Oxford University Press, pp. 167-183.
Photographic Sound Art and the Silent Modernity of Walter Ruttmann’s Weekend (1930)’, The New Soundtrack, Vol. 6 Issue 2 (2016), pp. 109-127.
‘Electroacoustic Composition and the British Documentary Tradition’, In Greene, L. and Kulezic- Wilson, D. eds. (2016) Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks. Basingstoke: Palgrave Macmillan, pp. 387-402.
‘Heavy Weather: Michelangelo Antonioni, Tsai Ming-liang, and the Poetics of Environmental Sound’, Quarterly Review of Film and Video, Vol. 32 Issue 1 (2015), pp.72-90.
‘White Noise: the representation of modernity in the films of Pai Ching-jui’, In Chang, B. and Klöter, H. eds. (2012) Imaging and Imagining Taiwan. Wiesbaden: Harrassowitz, pp.69-89.
‘Douglas Gordon and Cinematic Audiovisuality in the Age of Television: Experiencing the Experience of Cinema’, Visual Culture in Britain, Vol. 13 Issue 1 (2012), pp.101-113.
‘Marking time and sounding difference: Brubeck, temporality and modernity’, Popular Music, Vol. 29 Issue 3 (2010), pp. 351-371.